Alexandra Wilson
@amwilson_opera
Professor, author, arts writer. Opera, classical music, arts policy, C20th British social/cultural history. Hire/commission me. Agent @LittleHardman
ID:2148786661
https://www.brookes.ac.uk/profiles/staff/alexandra-wilson 22-10-2013 10:46:33
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These are desperate times for the Arts in Wales. My friend and colleague Elizabeth Atherton is leading the fightback 👇🏻 Please follow and do whatever you can to support her campaign:
We are recruiting for a part-time Director of Music at #TeddyHall . Music is an important aspect of Hall life & this vacancy represents an exciting opportunity to continue to develop an inclusive, vibrant music scene. Apply by 3 June, 12:00: seh.ox.ac.uk/vacancies/dire…
Lissa Evans Is there anyone left on British TV, who HASN’T written a children’s book, or a “quirky” novel?
Why does Il segreto di Susanna revolve around smoking? ⚡️
Learn about the life of composer Wolf-Ferrari and the fascinating reasons why he created a heroine who smokes in this article: bit.ly/3wt8k4H
Catch the stunning #OHPSusanna #OHPPagliacci double bill from 17 July
To celebrate David Nicholls’s hitting No1 with #YouAreHere , here’s a Hardback #Giveaway !
RT by noon tomorrow (Wednesday) for a chance to win the copy.
#competition #books Curtis Brown Books
Elizabeth Atherton DaoudF Neil Fisher GOV.UK Welsh Government Welsh National Opera BBC Front Row Arts Council England Cyngor Celfyddydau Cymru | Arts Council of Wales Rhianon Passmore MS Delyth Jewell AS / MS The demand that “relevant”contemporary issues and concerns be foregrounded is to wholly misunderstand the nature of art. As Fran Lebowitz observed of literature, “A book is not supposed to be a mirror. It’s supposed to be a door.”