Michael Warburton(@TheMonologist) 's Twitter Profile Photo

Is there another performance Art that elicits such profound feelings - almost akin to grief - than the end of a long running brilliant Sitcom.

The final moments then from one of the truly great American sitcoms.

FRASIER 2004)

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Michael Warburton(@TheMonologist) 's Twitter Profile Photo

I'm all about The Coconuts - fantastic choreography & outfits.

KID CREOLE AND THE COCONUTS

ANNIE, I'M NOT YOUR DADDY (1982)

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Michael Warburton(@TheMonologist) 's Twitter Profile Photo

JAMES LIPTON was one of the best interviewers of creatives there’s ever been, and this doesn’t get said enough.

So by way of example here’s a short clip from 1999 that perfectly demonstrates my point as he asks STEVEN SPIELBERG a question that truly blows the director’s mind.

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Michael Warburton(@TheMonologist) 's Twitter Profile Photo

FRANK ZAPPA doubles down on American culture, in a clip from a great 2016 documentary

EAT THAT QUESTION: FRANK ZAPPA IN HIS OWN WORDS

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Michael Warburton(@TheMonologist) 's Twitter Profile Photo

This is the sort of shit Directors - in this case a proven, Oscar-winning, legendary talent like DAVID LYNCH - has to put up with (on the set no less!) from NON-creative, NON-talent Producer types.

Makes my blood boil.

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