Apple TV+ sci-fi series Dark Matter captured @LukeBuckmaster's attention, with its multiverse-hopping performances from Joel Edgerton and Jennifer Connelly.

'Are these the same people, separated by choices, or different people for the same reason?

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The Tattooist of Auschwitz is part memoir, part historical fiction, and partly a surprising love story: 'one that is forged within the concentration camp’s confines, and offers sparks of hope and humanity amid the horror.'

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.Liam Maguren revisits the underrated Maze Runner YA trilogy, from Kingdom of the Planet of the Apes director Wes Ball.

'It’s surprising how well they work back-to-back-to-back while remaining distinct from one another.'

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Adam Fresco reviews the new Who, celebrating Ncuti Gatwa's take on the Doctor 'as a bright and breezy character, not a million light-years away from Willy Wonka.'

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The new season of Hacks has no choice but to get the chaotic gang back together 'in a gloriously funny blaze of self-destruction.' Here's eliza janssen's review of the first episodes:

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'The “fish out of water” is now well and truly a farmer. Even if he looks down at anyone whose tractor isn’t a Lamborghini.'

David Michael Brown on Clarkson's Farm, a tale of muddy misery turned to unlikely rural redemption.

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Netflix comedy Unfrosted is 'executed with an air of desperation visualised in Seinfeld’s smile-strained face, contorted as if to say: 'I’m in on the joke but stuck inside this character'.'

Read @LukeBuckmaster's review right here:

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12 things you need to know about the fourth-mall smashing, MCU-canon mashing Deadpool & Wolverine: including the canine actor who plays Dogpool.

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May 4 is a big day for Star Wars fans...but Stephen A Russell 🌈 has a bad feeling about the franchise's latest offering.

Tales of the Empire feels like 'a clip show of what invested viewers already know...that will struggle to draw in new fans.'

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.Steve Newall struggles with Jerry Seinfeld's Netflix comedy Unfrosted;

'Here I was checking my watch to see how much longer I had to persevere, only to find I was only half an hour in…'

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.@ClarisseLou is uninspired by multiverse sci-fi series Dark Matter: it feels 'consistently pared back and tapered down to serve a culture ruled by YouTube explanation videos and Reddit threads.'

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In Netflix miniseries A Man In Full, Jeff Daniels is 'another post-Gekko, Trump-like shyster, interpreting the American Dream as 'screw or be screwed'.'

Read @LukeBuckmaster's full, positive review right here:

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'As with all the best rom-coms, Anne Hathaway and Nicholas Galitzine's ultimate choice will leave you hanging in The Idea of You.'

Stephen A Russell 🌈 explains how Prime's new film ticks all the right rom-com boxes.

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.Daniel Rutledge wasn't impressed with the OTT action and comedy of Boy Kills World:

'If you’re able to channel the 14-year-old boy inside you well enough, the humour may be good silly fun. If not, it’s just wearisome.'

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.@LukeBuckmaster revisits 2004's The Butterfly Effect: a sci-fi film 'so gut-wrenchingly dark and twisted I’d also call it a horror movie, with virtually no respite once its core premise swings into gear.'

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We're just about to voyage into May, and these thrilling new Netflix releases should entertain you across the month: J.Lo versus AI, new Bridgerton, and much more.

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Next month is stacked with stunning new streamables, including Irish 'true crime', South Korean games of death, and multiverse mystery.

Add these 10 exciting upcoming shows to your watchlist for May:

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.Liam Maguren speaks with Aotearoa director Loren Taylor on her darkly funny debut The Moon is Upside Down:

'Being able to see something exactly how it was in your mind when you wrote it...that’s the most remarkable experience.'

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.@ClarisseLou chooses supernatural series Dead Boy Detectives as Show of the Week: 'you just have to hope that Netflix actually lets it stick around long enough to make an impression.'

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.@LukeBuckmaster reviews The Fall Guy, an action-comedy confection that can't quite nail the screwball pace it's aiming for.

'The springs in this film generally speaking are too loose, in fact: it’s stiffer and heavier than the frothy mirth intended.'

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