Tim Horton
@HTimw
Chamber musician and soloist. Pianist in Leonore Piano Trio and Ensemble 360
ID:2326449862
05-02-2014 18:09:28
2,1K Tweets
705 Followers
502 Following
📣 Tomorrow:
Tim Horton (piano) | Music in the Round, Sheffield | #Concert
🗓 6 April 2024 | 7:00 pm
📍 Upper Chapel
Tashmina Artists Tim Horton Music in the Round @ChapelUpper #classicalmusic
tashmina.co.uk/concert/music-…
All of the Leonore Piano Trio recordings for Hyperion Records Ltd are now available to stream on Spotify. Leonore Piano Trio Rayfield Allied open.spotify.com/artist/77XjAMh…
Here’s something special from our recording session yesterday, gemma rosefield and Tim Horton sounding lush in Korngold. Look out for our #Pierrot CD release in September. There’ll be this and many more delights! #schoenberg150
I had a great if exhausting day recording Beach, Musgrave, Marx, Kowalski, Poldowski, Debussy, R. Schumann and Korngold at The Music Room with Ensemble 360 and Claire Booth. Look out for all things Pierrot later in the year.
Last ever curtain call of this incarnation of English National Opera before the orchestra etc is disbanded. Coincidentally my 2 boys’ (8 & 11) first ever opera (Magic Flute). They were enthralled and thrilled. Those who have let this happen to ENO should be ashamed.
Thomas Blunt Welsh National Opera Lord Ed Vaizey Lucy Frazer MidWalesOpera Years of Tory cuts to ££ for arts and creative sector and delegating inappropriate aspects of govt policy have taken a terrible toll. If there is a The Labour Party govt I will as culture secretary urgently review all financing of creative sector from public to private.
Spare a thought for chorus, orchestra & music staff at English National Opera, for whom a new era begins today, one of reduced contracts & huge uncertainty, both professional & financial. ENO won’t be seen at the Coliseum until next season, depriving London of great opera thanks to Arts Council England
It’s desperate times for opera, with the focus now shifting to Wales and Welsh National Opera and MidWalesOpera, who are both struggling in the face of tough cuts. It’s not an understatement to say that we collectively feel our artform is at grave risk in the UK.