Payal Kapadia’s All We Imagine As Light is a major highlight of #Cannes24 – and hopefully in contention for some big awards.

Read Jenna Mahale’s rave review:
lwlies.com/festivals/all-…

A visually ravishing if emotionally and thematically opaque travelogue is the latest from Portuguese maestro, Miguel Gomes #Cannes2024

Grand Tour – first-look review: lwlies.com/festivals/gran…

India Donaldson's feature debut is a naturalistic portrait of the tensions between young women and their fathers as a teenager takes a hiking trip with her dad and his best friend #Cannes2024

Good One – first-look review: lwlies.com/festivals/good…

Ben Whishaw is explosive, detestable and riveting, in LIMONOV: THE BALLAD, Kirill Serebrennikov’s withering portrait of the former Soviet poet. In the main competition at Cannes, for Little White Lies: lwlies.com/festivals/limo…

Paolo Sorrentino, Italy's lustiest working filmmaker, spins a tedious yarn about one woman's otherworldly beauty #Cannes2024

Parthenope – first-look review: lwlies.com/festivals/part…

Wrote about Oliver Stone’s vapid, painfully self-congratulatory LULA for Little White Lies #Cannes2024 lwlies.com/festivals/lula…

Cronenberg once more makes a play for the heartstrings in what must be one of the most nakedly moving and revelatory films within his canon #Cannes2024

The Shrouds – first-look review: lwlies.com/festivals/the-…

was “happy” to get the call from @lwlies to review THE APPRENTICE, a movie predicated on the assumption that a by-the-numbers biopic directed by Ali Abassi has anything new or important to say about the most ubiquitous man in the world:

lwlies.com/festivals/the-…

Despite some spirited performances, Sean Baker's Anora can't quite match the glorious heights of his past Cannes premieres, Red Rocket and The Florida Project lwlies.com/festivals/anor… #Cannes24

Despite the best efforts of Sebastian Stan and Jeremy Strong, Ali Abbasi's Trump biopic The Apprentice can't tell us anything we didn't already know #Cannes24 lwlies.com/festivals/the-…

For Little White Lies I reviewed India Donaldson’s ‘Good One’, the most profound directorial debut of the year thus far. A film that hinges on the gut-wrenching moment in each young woman’s life where you feel betrayed by those who are meant to protect you. lwlies.com/festivals/good…

A large Italian-American family gather for the holidays in Tyler Taormina's freewheeling festive feature #Cannes2024

Christmas Eve in Miller’s Point – first-look review: lwlies.com/festivals/chri…

Another lacklustre animated foray into the lasagne-smeared world of Jim Davis’ most famous comic creation.

The Garfield Movie review: lwlies.com/reviews/the-ga…

David Cronenberg’s The Shrouds sees the Canadian maestro on worldbeating form, this time delivering a [checks notes] heartbreaking love story and a radical rumination on the grieving process.

Our first-look review from #Cannes2024
lwlies.com/festivals/the-…

A young tennis star refuses to open about an abusive coach in Leonardo Van Dijl’s impressive feature debut #Cannes2024

Julie Keeps Quiet – first-look review: lwlies.com/festivals/juli…

Jaqcues Audriard's new one, Emilia Perez, is the worst thing he’s ever done #Cannes2024

Emilia Perez – first-look review: lwlies.com/festivals/emil…

A fading star signs up for a strange medical procedure in Coralie Fargeat's vacuous attempt at a Hollywood body horror #Cannes2024

The Substance – first-look review: lwlies.com/festivals/the-…

Paul Schrader reunites with Richard Gere 44 years after American Gigolo #Cannes2024

Oh, Canada – first-look review: lwlies.com/festivals/oh-c…

Yorgos Lanthimos returns with another scorcher in this innovative and darkly comic trio of films about spiritual domination #Cannes2024

Kinds of Kindness first-look review: lwlies.com/festivals/kind…

Discover the Japanese fishing town that inspired Studio Ghibli’s Ponyo lwlies.com/articles/tomon…