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RogerEbert.com

@ebertvoices

Preserving and extending the legacy of Roger Ebert, film critic since time immemorial. Read reviews, interviews, blog posts & more at https://t.co/hJ8HMMuPEE

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linkhttp://www.rogerebert.com/ calendar_today25-06-2013 21:51:21

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RogerEbert.com(@ebertvoices) 's Twitter Profile Photo

“I cannot think of a single reason for another Garfield movie, and apparently, the people who made this couldn't, either.”

Read Nell Minow (she/her) @nminow at Spoutible’s review of GARFIELD: rogerebert.com/reviews/the-ga…

“I cannot think of a single reason for another Garfield movie, and apparently, the people who made this couldn't, either.” Read @nminow’s review of GARFIELD: rogerebert.com/reviews/the-ga…
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He 'knew how to leverage his stiff, all-American businessman looks and stentorian charm for peak deadpan comedy.'

Clint Worthington looks back at the singular career of the late Dabney Coleman

Read: rogerebert.com/tributes/jack-…

He 'knew how to leverage his stiff, all-American businessman looks and stentorian charm for peak deadpan comedy.' @clintworthing looks back at the singular career of the late Dabney Coleman Read: rogerebert.com/tributes/jack-…
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Zachary Lee(@zacharoni22) 's Twitter Profile Photo

Really enjoyed this dispatch from Chaz & Isaac Feldberg. One of my favorite activities of any given movie year is finding thematic connections between seemingly disparate titles. Love that some unconventional double even triple features are already coming out of

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Clint Worthington(@clintworthing) 's Twitter Profile Photo

For RogerEbert.com I was tasked with paying homage to the late, great Dabney Coleman, a grade-A character actor who parlayed his command of stuffy white-guy charisma into some of the most watchable jerks and buffoons in movie history.

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RogerEbert.com(@ebertvoices) 's Twitter Profile Photo

He 'knew how to leverage his stiff, all-American businessman looks and stentorian charm for peak deadpan comedy.'

Clint Worthington looks back at the singular career of the late Dabney Coleman

Read: rogerebert.com/tributes/jack-…

He 'knew how to leverage his stiff, all-American businessman looks and stentorian charm for peak deadpan comedy.' @clintworthing looks back at the singular career of the late Dabney Coleman Read: rogerebert.com/tributes/jack-…
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In her latest video dispatch from , Chaz speaks with Isaac Feldberg about MEGALOPOLIS, KINDS OF KINDNESS, OH CANADA, BIRD, and WILD DIAMOND.

Watch: rogerebert.com/chaz-at-cannes…

In her latest video dispatch from #Cannes2024, @ChazEbert speaks with @isaacfeldberg about MEGALOPOLIS, KINDS OF KINDNESS, OH CANADA, BIRD, and WILD DIAMOND. Watch: rogerebert.com/chaz-at-cannes…
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Robert Daniels(@812filmreviews) 's Twitter Profile Photo

Kevin Costner's HORIZON: AN AMERICAN SAGA - CHAPTER 1 has major HOW THE WEST WAS WON vibes, and I don't mean that in a good way.

My review via RogerEbert.com
rogerebert.com/reviews/horizo…

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'While the first film in the possible HORIZON series does well in setting up future pictures. . .this single film is a chore to sit through.'

Robert Daniels reviews Kevin Costner's HORIZON: AN AMERICAN SAGA - CHAPTER 1

Read: rogerebert.com/reviews/horizo…

'While the first film in the possible HORIZON series does well in setting up future pictures. . .this single film is a chore to sit through.' @812filmreviews reviews Kevin Costner's HORIZON: AN AMERICAN SAGA - CHAPTER 1 #Cannes2024 Read: rogerebert.com/reviews/horizo…
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Tomorrow at , Chaz will moderate a panel entitled 'Purpose-Driven Filmmaking: Empathy and the Movies'

Participants include our own Robert Daniels, plus Darrien Gipson, Jacqueline Coley, and Eric Pierson.

Learn more about the event here: rogerebert.com/chaz-at-cannes…

Tomorrow at #Cannes2024, @ChazEbert will moderate a panel entitled 'Purpose-Driven Filmmaking: Empathy and the Movies' Participants include our own @812filmreviews, plus Darrien Gipson, Jacqueline Coley, and Eric Pierson. Learn more about the event here: rogerebert.com/chaz-at-cannes…
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