This looks fine if your idea of good cinematography comes from one of those YouTube filmmaking courses. Every goofoff with an A7SIII listens to Team Deakins, hears them talk about natural lighting and doesn't realize there's an entire craft around supporting it.
It's clear that Race Across The World S4 is using better cameras (am guessing either a7siii/FX3/6 but could be wrong) and I'm pretty sure they are shooting in 4K and a log profile, and the colour grade is mostly great except that they should really crush the shadows more