حرف التاء - Taa
By Tarek Atrissi

#42DOAT #42DOAT 2023 #42Days_Taa #42DaysOfArabicType
#٤٢يوم٢٠٢٣ #٤٢_يوم_من_الخط_العربي #٤٢_يوم_تاء

In a series of two 3-day masterclasses, learn the basics of Arabic font design and branding from internationally-acclaimed designer Tarek Atrissi, the artist responsible for the Islamic Arts Biennale theme logo: 'Awwal Bait'

Register now:

iab2023.org/programs-list

Beqaa Valley Grenache

#domainewardy #wine #redwine #grenache #vegan #vegan wine #awardwinning #awardwinning wine #sustainable #sustainable wine #atrissi #wine design #lebanesewine #wine soflebanon #lebanesewine ries #zahle #beqaa #lebanon #familybusiness #drinkresponsibly #cheers

حرف الجيم - Jeem
By Tarek Atrissi
For Jeem TV

#٤٢_يوم_جيم #42Days_Jeem
#42DOAT #42DOAT 2023 #42DaysOfArabicType
#٤٢يوم٢٠٢٣ #٤٢_يوم_من_الخط_العربي

#Repost @domaine_wardy
May 2024 be Bright to banish the darkness, White to banish the blackness and Sweet to banish the bitterness in our lives
.
.
.
.
A sneak peek at the mosaic that will adorn the label of our first ever single-varietal Muscat semi-sweet white wine Tarek Atrissi

قاعد اسمع بودكاست باختصار
من هاي فايڤ مستضيفين
نجم لامع طارق عتريسي
ومع البودكاست اندمجت وقمت
اكتب بعض الكلمات
شكرًا لكم لقاء مثري ومفيد
هاي فايف
Tarek Atrissi

كيف صُنعت الهوية الجديدة للمهرجان السعودي للتصميم؟ يأخذنا طارق عتريسي (Tarek Atrissi) في رحلة وراء الكواليس، حيث يجمع بين التاريخ والابتكار، ويوازن الشكل مع جوهر هوية المهرجان.

Bring a piece of the captivating world of Islamic arts into your home with a copy of our 'Awwal Bait' book, now available for purchase at the Biennale Store.

Credit: Tarek Atrissi, Awwal Bait brand identity designer.

#IslamicArtsBiennale
#DiriyahBiennaleFoundation
#AwwalBait

بقلب فى بنتريست شوفت المنيو ده 💚

مطعم فلافل فى الكويت المنيو من تصميم طارق عتريسي

Falafel & Co Visual Identity | Tarek Atrissi Design | The Netherlands
atrissi.com/falafel-co-vis…

「私の本屋さん」مكتبتي
マクタバティー [maktabat-iy]
⁦「図書館／ライブラリ／本屋」( مكتبة )[maktaba]・「私の」( ـي )[-y]：( كتب )【書】⁩
　
私（わたし）・本屋（ホン・や）
2110 #図形 #ロゴ Tarek Atrissi

الحمدلله على التمام حضرت اليوم دورة تصميم الخطوط الطباعية باستخدام Glyphs

بتقديم الاستاذ: Tarek Atrissi

🇱🇧🇮🇷 | Lebanese researcher:

Martyr Soleimani was attending all the arenas for the sake of Palestine as the central issue of the nation.

🔸 Regional affairs researcher Dr. Talal Atrissi stressed, “When we talk about the weakness of the Zionist entity and America,

In conversation with Ziad Atrissi, General Manager, JW Marriott Cannes (Exclusive Interview)

cpp-luxury.com/in-conversatio…

#JWMarriott #JWMarriott Hotels #JWMarriott Cannes #Cannes #FrenchRiviera #CotedAzur #luxury #luxury hotels #Milux #MarriottIntl #luxury hospitality JW Marriott Hotels

I’ll be giving a lecture at the American University of Beirut, Lebanon, on April 22. The talk will be open to the public at the School of Architecture & Design at 6:00 PM. I will be giving as well a design workshop for the students of AUB: Arabic lettering in Exhibition Branding

Lebanon has many exciting wines.
Domaine Wardy is a new acquaintance from Lebanon.
They have proud traditions and special wine labels that highlight historic designs such as architecture,but also carpets and textiles by the renowned designer Tarek Atrissi

Vin et Wenstøb
@gaiagruppen

أُميم | Omimah 💛 الله يرضى عليه Abdullah Aldouh بتحدي حبراير طبق التايبوغرافي بتصاميم رهيبة شرح بعضها.
twitter.com/aldouhab/statu…
💛+ الأساتذة Tarek Atrissi Nadine Chahine من فترة لفترة بيعملوا دورات وورشات🙏🏽🙏🏽
💛+ في domestika.org كورسات لاستخداماته في التصميم بأفكار رهيبة، ومره حلو بيعملوا عروض.

Redesigning the Bahrain National Museum Logo,
Redesigned by Qassim Haider.
Note: The original logo designed by Tarek Atrissi

#اليوم_العالمي_للمتاحف #Museum #National_Museum_Day #Bahrain
#LogoDesign #GraphicDesign #NationalMuseumDay
هيئة البحرين للثقافة والآثار

Anticipated Trajectories of Arab and Islamic approaches to the Palestine issue in 2024
link.alzaytouna.net/Seminar-TrajPl…
Dr. Said El-Haj & Prof. Dr. Talal ‘Atrissi
#trajectories_2024
#Palestine
#AlZaytouna_Centre

2/3 The unique typography that we crafted for the logo was developed into a custom Arabic typeface used in the exhibition graphics, for all titles of the different key sections, galleries, & pavilions. The typeface reflected the minimal lettering style used in the logo,