Alice Sheppard(@wheelchairdancr) 's Twitter Profile Photo

I actually was moved to tears when I saw the feature in the New York Times. The words 'Disability Arts' in print, in the Times. This is a moment.

I actually was moved to tears when I saw the feature in the New York Times. The words 'Disability Arts' in print, in the Times. This is a moment. #kineticlight #disabilityarts #disabilitydance
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OXSRAD(@Oxsrad) 's Twitter Profile Photo

Great dance class with the OXSRAD Tuesday user group this morning. Big thank you to Janette Cardy Fitness for leading the session 💃🕺

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ReelAbilities International(@ReelabilitiesI) 's Twitter Profile Photo

Join Chicago DCASE and ReinventAbility (@DisabilityDance) for a collection of dance-related short films - including (RFF '19) - at the tomorrow, Saturday, July 23, 1PM EST. Learn more in the link below.
bit.ly/3Pgev0cc

Join @ChicagoDCASE and ReinventAbility (@DisabilityDance) for a collection of dance-related short films - including #JmaxxAndTheUniversalLanguage (RFF '19) - at the #ClaudiaCassidyTheater tomorrow, Saturday, July 23, 1PM EST. Learn more in the link below.
bit.ly/3Pgev0cc
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Imagination Dance CIC(@ImaginationDCIC) 's Twitter Profile Photo

Our popular Hitchin branch of SEND dance classes are back from September 9th/10th! Book on now to avoid disappointment. Explore your imagination and build your confidence in performing and social interaction ✨

Our popular Hitchin branch of SEND dance classes are back from September 9th/10th! Book on now to avoid disappointment. Explore your imagination and build your confidence in performing and social interaction ✨ 
#inclusivedance #disabilitydance #SENDdance #childrensdance
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Rachel Arfa(@Rachel_Arfa) 's Twitter Profile Photo

Loved seeing today’s Counter Balance performance produced by ReinventAbility, Monenta and Bodies of Work. The closing piece, called the Rosies, in spirit of Rosie the Riveter, choreographed by Ginger Lane, was my favorite!

Loved seeing today’s Counter Balance performance produced by @DisabilityDance, Monenta and Bodies of Work. The closing piece, called the Rosies, in spirit of Rosie the Riveter, choreographed by Ginger Lane, was my favorite!
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